On the evidence of the playback, before an invite-only audience that included uDiscover, Giles has unequivocally succeeded in his mission. Giles Martin (left), at Abbey Road, discussing his remix of ‘Sgt Pepper’ĭescribing the work as “a voyage of discovery” on an album “that you can fall into”, Giles asserted, “I’m trying to get you to hear what I hear when I listen to the tapes – and that means clarity and punch.” “I’ve worked with my dad since I was 15,” Giles continued. “Our intention was to make a stereo of the mono,” Giles said, noting that, as far as The Beatles were concerned, the original 1967 mono mix was “what Sgt Pepper is”. It’s taken a long time and we’ve been really diligent.” Having access to the tapes had, he said, allowed them to “peel back the layers and rebuild it”. Admitting, “It’s unnerving when you’re being examined,” he continued, “We’ve been really careful.

Sitting in Studio Two, where Sgt Pepper was largely created, Giles noted how much painstaking work he and his collaborator, Sam Okell, had put into making a brand new mix from the original four-track tapes. The long-awaited remix of Sgt Pepper’s Lonely Hearts Club Band finally got its first airing on 10 April, when Giles Martin, son of the late Sir George, unveiled arguably his most important work yet in London’s Abbey Road Studios, the building where The Beatles recorded most of their music.

The Beatles’ Long-Awaited ‘Sgt Pepper’ Remix Previewed At Abbey Road

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